• Stand with Tess
    The proposed redundancy of Tess comes at a time when she is more needed than ever. Recent changes, budget cuts and instability at Nura Gili Centre at the Kensington campus as well as the shockingly low employment of Indigenous (and, further CALD) staff at UNSW marks this as a part of a larger, ongoing issue at an institutional level that needs to be remedied rather than exacerbated. Diverse staff are crucial to not only the education of students but further, to their well-being. Tess remains one of the few staff members that Indigenous, CALD and other marginalised students feel they can turn to and rely on. As well as her role as a mentor, Tess is also professionally and pedagogically a boon to the institution. Her course Aboriginal Art Now has influenced countless students and has led many to pursue further and higher research - academically, curatorially and artistically - in a more considered and critically rigorous way. In addition, Aboriginal Art Now remains one of the few Indigenous art courses available at UNSW Art & Design. She has also been instrumentally involved in a vast number of exhibitions in the Indigenous arts community in the last 30 years. The volumes of academic, artistic and curatorial output of Tess evidences her prolific reach and influence in the arts sector. As Associate Professor David Garneau suggested, her contribution to the arts sector deserves an honorary doctorate. Her removal would constitute a massive loss to the UNSW community, and the wider ripple on effects of this would be unimaginable.
    1,361 of 2,000 Signatures
    Created by Stand With Tess
  • Save Medevac for Refugees
    The petition of the undersigned shows: • that approximately 800 refugees and asylum seekers remain on Manus Island and Nauru after nearly six years; • that there is no possibility that all of these people will be able to go to the United States; • that the medical condition of many of them has deteriorated alarmingly; • that necessary medical treatment is often not available in either Papua New Guinea or Nauru and can most appropriately be provided in Australia.
    214 of 300 Signatures
    Created by Refugee Action Campaign Canberra
  • Coles and Woolworths must end labour exploitation on their farms
    The majority of Australians do their grocery shopping at Coles or Woolworths. Yet the farm workers who feed us, who pick and pack the fruit and vegetables we all eat, are enduring wage theft and exploitation on Australian farms. Two thirds of surveyed workers reported earning below minimum wage, sometimes as low as $4.80 per hour. Cash contractors act as controlling mediators between farms and workers, often resulting in stolen wages, no superannuation, sexual harassment, bullying and harassment. Coles and Woolworths must not continue to profit from this exploitation. Add your voice to stand with farm workers today!
    266 of 300 Signatures
    Created by National Union of Workers Picture
  • #WhatThePho? Wages stolen and staff sacked via WhatsApp at Hochi Mama
    Hochi Mama is a Vietnamese restaurant at the top of Melbourne’s Chinatown. It’s also Melbourne’s number one Asian restaurant on the venue rating site, TripAdvisor. I worked there as a bartender. And I was on a flat rate of $20 per hour, no penalty rates. In just four months I had over $3000 (including super) stolen from me. Often, we felt we were treated like dirt. Hochi Mama had a staff WhatsApp group where we got our rosters, we swapped shifts and management would give us instructions about our jobs. This was also how workers found out they’d been fired, by seeing we’d been deleted from the staff WhatsApp group. It happened to me. It happened to lots of other staff. In front of everyone. Most bosses have the decency to actually TELL you that you'd been fired. Not these guys. And it left everyone feeling afraid and wondering: who’s next? Migrant kitchen staff were treated even worse. They worked double shifts of 13-14 hours for a flat rate of $70 or $100, in cash. I even saw them sleeping on milk crates out the back of the restaurant between shifts. It’s not okay for any worker to be treated like this, particularly in a wealthy country like ours. All over this industry, we see migrant workers treated like an underclass. It’s just wrong. We need to stand together and demand fairness and respect for ALL hospo workers. That’s the only way anything is ever going to change.
    4,266 of 5,000 Signatures
    Created by Alex Pugh, Hospo Voice member
  • Stop the threats & harassment
    Workers at Della Rosa have come forward about wage theft and bullying and harassment. From a recent SBS report: “...we were bullied by our seniors to not speak to anyone regarding poor working conditions and systematic underpayment. We were threatened that we would be out of work if we didn’t toe the line.” After several attempts to resolve widespread wage theft by the NUW, we are taking the fight for workers wages to the next level. Soon, NUW members will go to the Federal Court of Australia, with our legal representatives at Maurice Blackburn, to seek stolen wages for a group of Della Rosa workers to the tune of over $600,000. But there is another problem at Della Rosa in Melbourne's northern suburbs. Migrant workers have told the union they have been bullied and harassed. Workers say they are shouted and their jobs are threatened. Workers say management targets them based on where they come from or what visa they are on, that they are threatened if the speak up. The problem must be fixed from the top. Emilio de Lorso can fix this problem. He can weed out threatening and racist behaviour and put an end to it. The community is now watching to see that workers have a safe and discrimination-free workplace. A group of NUW members have broken their silence, read more at SBS news here: https://www.sbs.com.au/yourlanguage/punjabi/en/article/2019/05/23/migrant-workers-allegedly-underpaid-600000-melbourne-pizza-manufacturer
    155 of 200 Signatures
    Created by National Union of Workers
  • Keep Destroyer 666 from touring Australia
    In a world of Christchuch shootings and Sri Lankan bombings we need to collectively work to stop the spread of hate speech and bigotry - the seeds that manifest in physical violence. Destroyer 666, a band of expats now based in Europe, are about to embark on a tour of Australia and New Zealand. Throughout their decades-spanning career, Destroyer 666 and most notably their vocalist "K.K. Warslut", have left a trail of racist, misogynistic, and violent hate speech. Supported by a dedicated legion of fans, the band resorts to extreme fear and intimidation tactics when confronted with resistance to their behaviour and politics. Warslut’s hateful rhetoric is from the same playbook that helped radicalise the Christchurch terrorist: channeled into the ear of disaffected young men in the metal scene, coaxing them into a world of radical hatred. In 2012 while opening a show, K.K. Warslut shouted: “This one’s for all the Muslim immigrants that are invading. They’re invited to invade our fucking continents. Fuck you Allah! Yeah everyone’s busy being anti-Christian… fuck being anti-Christian, let’s be fucking anti-Muslim for once!” Warslut punctuated his Islamophobic rant by Sieg-Heiling with his right hand. https://youtu.be/97tXzR4n7HE In 2016, after music journalist and photographer Blair Hopkins mentioned being inappropriately groped by a fan at a Destroyer 666 show in New York she reviewed, K.K. Warslut took to Facebook (in a since-deleted but widely reported post) to write: “Clearly your [sic] insecure about your looks woman and felt a burning desire to advertise just how irresistible you are. To drunks. Sad desperate bitch” and labels Hopkins a “little lying dishonest whore [sic].” In Hopkins’ review she documented ‘stage banter’ from K.K. Warslut that included asking the audience to ensure there were “NO FAGG*TS” in attendance and responding with “That’s the attitude we need tonight” when another audience member shouted “We need more white women in here!” During a concert in 2018, K.K. Warslut referred to #MeToo activists as a bunch of “C*nts” who need a “hard dick”. His room of devoted fans met these words with approval. This came after the #KillTheKing movement, a #MeToo offshoot operating within the metal world that specifically singled out K.K. Warslut for his history of misogynistic and sexist harassment of women in the metal scene. At a previous concert at Metal Magic Festival in Denmark, K.K. Warslut began their set with a sexist rant to the effect of “You guys are a bunch of wankers. You live in a matriarchal culture. I get nauseous from you guys.” K.K. Warslut and Destroyer 666 use their stage time to spread messages of hate, and their offstage time to circle their wagons, and encourage fans to threaten writers, editors, and reviewers. It seems that one of the main reasons you can’t read a play-by-play of Destroyer 666’s racist bigotry over the years may be attributed to the threats of physical violence by the band’s fans towards editors, prompting many to un-publish their content. There are real physical consequences of white supremacist hate speech: incitements turn to real world violence. (https://www.nytimes.com/interactive/2019/04/03/world/white-extremist-terrorism-christchurch.html) Warslut has prominently displayed a Wolfsangel tattoo on his stomach – an ancient Germanic rune adopted as the insignia of several Waffen-SS units, and the official symbol of the US-based Neo-nazi terrorist group Aryan Nations. Before fans decry this as simply “bigotry by association”, let’s look at an interview K.K. Warslut gave a Melbourne radio station following the release of their album Unchain The Wolves. After referring to Norwegian black metal musicians as “skinny fagg*ts,” Warslut described the white wolf motif as representing “the spirit of the white man.” Just over a month ago, 50 innocent people were gunned down by a neo-Nazi terrorist in Christchurch while they prayed. Next month, Destroyer 666, a band who seem to share the terrorists ideology, are set to tour Australia. Hate speech and incitement to violence should not be a profitable venture on our shores. We need to ask their promoter Soundworks Touring, what margin of ticket sales from white supremacists is acceptable to them. We need to ask the Australian venues hosting this tour (Factory Theatre in Sydney, the Wooly Mammoth in Brisbane and Max Watt’s in Melbourne) how many drink sales make it worthwhile to platform an Islamophobic rant on their stages. Some Destroyer 666 fans may have remained apolitical, but now need to reflect what side they are really on — because the music scene can no longer pretend there is a neutral ground. The delusion of neutral ground was erased when 50 people were murdered by an Australian neo-Nazi in two mosques in Christchurch. We all have a social role to play in combating hate speech and violence and working to prevent terrorism. Let’s make sure our music scenes in no way profit from or promote white supremacy, or play a role in radicalising yet another white supremacist terrorist. Let’s not leave it solely to a 16-year-old with an egg to stand up for us as a nation this time.
    170 of 200 Signatures
    Created by Mitzi McKenzie-King